American artist Hope Tucker reframes the passing of sites, people, communities, freedoms, cultural markers, rituals, and ways of being. Since 2000, as director of The Obituary Project, a compendium of works that transform a daily narrative form and the antiquated documentary practice of salvage ethnography, she has documented shuttered bread factories, contested monuments, and fallen witness trees; animated cyanotypes of downwinders and old instructions for making fishing nets by hand; written the entire text of a video out of paper clips, a Norwegian symbol of nonviolent resistance; retraced the path of protest that closed the only nuclear power plant in Austria; recorded mobile phone footage of the last public phone booths in Finland; and preserved reckonings made by travelers to the site of the first detonation of an atomic bomb. 


What Travelers Are Saying About Jornada del Muerto

13:45 minutes
typeface: Souvenir

Visitors and residents of the Tularosa Basin, site of the first detonation of an atomic bomb, contribute to the production of public memory as they offer logistical advice, philosophical reckonings, and plaintive texts about making "the journey of the dead." Between 1945 and 1992, the US federal government exposed people to the radioactive fallout from over 200+ detonations of above-ground nuclear weapons. Made in remembrance of the 75th anniversary of the detonation of nuclear weapons in the US and Japan and the 340th anniversary of the 1680 Pueblo Revolt.  The 1680 Pueblo Revolt forced Spanish colonizers out of New Mexico and returned sovereignty to Native people. Made in resistance to nuclear colonialism.

"Tucker's way of representing the historical past makes us reconsider what the past historical time should be and what kind of action we should take to commemorate it." Kim Taein, Curator of Museum of Contemporary Art, Busan